Combine recording parts
Join camera, screen-recording or event files that were captured as separate segments.
Build one continuous video from multiple files, with clear control over clip order, boundaries, sound and transitions.
Drop multiple videos here or click to browse.
Supported formats: MP4, MOV, AVI, MKV, WebM, FLV, WMV
1080p, H.264, 30fps
AAC, 192kbps
Normalize audio levels
Reduce abrupt volume differences between clips. This does not repair clipped or noisy audio.
Overlap the end of one clip with the start of the next for a softer transition. This shortens the total duration by the overlap amount.
Add at least two clips, drag them into the final order, trim or mute individual items if needed, choose output and audio settings, then merge and download. When sources differ in resolution, orientation, frame rate or codec, the tool may need to re-encode them to create one consistent timeline.
Merging is more than placing files back to back when their technical properties differ. A reliable output needs one timeline, one frame size, compatible codecs and a coherent audio layout. The tool therefore may decode and re-encode clips instead of simply copying their streams.
Join camera, screen-recording or event files that were captured as separate segments.
Arrange an introduction, demonstration and closing clip in a deliberate sequence.
Select useful moments from several files, trim each item and combine them into one reviewable video.
Turn several related clips into one file when a destination accepts only one upload or one continuous program.
Use valid files that you are allowed to process. Confirm duration, orientation and audio before arranging the final order.
Drag clips into playback order. Use clear filenames or previews so visually similar clips are not reversed.
Remove dead time, accidental camera movement or repeated sections. Mute only the clips whose audio should not appear in the final timeline.
Select a frame strategy, output format and quality supported by the current browser. Mixed aspect ratios need either visible padding or edge cropping.
Inspect every cut and crossfade, listen for volume jumps, then export and download before the browser session is cleared.
Arrange clips around the viewer's question: establish context, show the main action, then finish with the result or next step. Do not rely on filenames alone when the footage is similar.
Contain keeps the complete picture but can add bars. Cover fills the frame but removes edges. Choose one approach deliberately and preview portrait clips inside landscape output.
A hard cut is direct and preserves timing. A short crossfade can soften a change of place or time, but too much overlap blurs action and shortens the program.
Normalization can reduce level differences but cannot restore distorted speech, remove noise or guarantee equal perceived loudness. Listen at every boundary and keep critical source audio backups.
The final file needs a compatible container, codec, frame rate, dimensions and audio layout. When clips do not already match, re-encoding is the safe path and can change size or quality.
Local clips are processed in the current browser according to the implemented pipeline. Use only footage and audio you are permitted to edit. Remote URLs require access to the source host, and temporary merged output should be downloaded before closing the page.
Often yes, if the browser can decode every source and encode the chosen output. Because one final file needs consistent properties, mixed formats usually require re-encoding rather than direct stream copying.
Yes. Arrange the queue before export; the displayed order becomes the playback order. Use drag controls or move buttons provided by the implemented interface.
Yes when the clip editor is enabled. Set a valid start and end for each item; only that selected interval is placed on the merged timeline.
They must share one output frame. Contain preserves the full picture with possible bars; cover fills the frame by cropping edges. Preview every portrait or unusually wide clip before export.
It attempts to reduce level differences so transitions are less jarring. It does not clean noise, repair distortion or guarantee identical perceived loudness across different voices and music.
A crossfade overlaps the end of one clip with the beginning of the next while fading picture, audio or both. It creates a softer change but reduces total duration by the overlap.
Direct stream joining can preserve encoded data only when sources and output are fully compatible. Mixed sources usually need re-encoding, so quality depends on the chosen codec, resolution and bitrate.
Trim ranges remove unused time, and crossfades overlap adjacent clips. The estimated timeline should subtract both excluded sections and transition overlap.
Playback only requires decoding each source, while export also needs compatible encoding, audio processing, transitions and output muxing. A browser can therefore preview a clip that it cannot encode into the selected result.
No. The tool reads source clips and creates a separate merged output. Keep the originals until the new file has been reviewed and backed up.